About Paul Holberton

Paul Holberton publishing

Paul Holberton publishing aims to produce art books to a consistently high standard, both of production and of editorial. We work with museums, galleries, institutions and collectors up and down the UK, in Europe, in Canada and the USA, for whom we publish, produce or distribute catalogues, usually but not only exhibition catalogues. These museums include or have included the Museo del Prado, Madrid, the Centre Pompidou, Paris, the Rijksmuseum, Amsterdam, and the Groeningemuseum, Bruges; the Courtauld Gallery, Dulwich Picture Gallery and The Wallace Collection, London; National Galleries of Scotland, Edinburgh and the Hunterian Museum, Glasgow; the National Trust and English Heritage; The Art Gallery of Ontario; The Crocker Art Museum, Sacramento; The National Gallery of Art, Washington; the Isabella Stewart Gardner Museum, Boston; and many more.

 

Paul Holberton as an editor

Paul Holberton has worked as an editor for the National Gallery, London, and the National Galleries of Scotland, and has specialized in the redaction of translated texts - from Italian, French, German and Spanish - for several museums in Europe, including the Oskar Reinhart Sammlung, Winterthur; the Museo del Prado, Madrid; and the Centre Pompidou, Paris. While a partner of Merrell Holberton Publishers (now Merrell Publishers), which he co-founded in 1993, and since 1999 as Paul Holberton publishing he has edited and redacted a great variety of books on art for a great number of museums and other publishers - besides producing several such books a year. He translates from Italian and also reads Latin, Greek, French, German, Spanish and Dutch.

 

Laura Parker as a designer

After finishing her MA in the Venetian Renaissance at the Courtauld Institute, and while researching for the Peter Lanyon catalogue raisonné, Laura became Paul's assistant in 2006. She has been designing books for the company ever since and was made partner in 2014. She has produced books for the Royal Collection, the National Gallery of Canada, the National Trust, Courtauld and The Wallace Collection and many others. One of her titles, The Wallace Collection Catalogue of Arms and Armour, won Apollo Magazine Book of the Year 2012 as well as Best New Publication at the Best Product Awards, given by The Association for Cultural Enterprises. 

 

Paul Holberton publishing: distribution and representation

Distribution is worldwide. We warehouse in the United Kingdom with Orca (Poole, Dorset) and in the United States either with University of Washington Press, Seattle (for books of non-Western or ethnographic interest) or with Casemate USA (the majority of the books). Representation is handled for the UK by Casemate UK (+ 44 (0)1635 231 091) and in the United States and Canada by Casemate Athena (http://www.casemateathena.com/) but for non-Western and ethnographic titles by University of Washington Press (http://www.washington.edu/uwpress/). We warehouse and are represented in Europe by Daudin in Orléans (tel. + 33 (0)6.20.54.02.79). We distribute and represent on behalf of a number of museums and galleries (see Exhibition Catalogues) and institutions public and private.To obtain a printed catalogue, Contact Us.

 

Paul Holberton: Arcadia

Paul Holberton is currrently engaged in writing a history of Arcadia (or of the pastoral in general) and laid out his main intentions for the book in a lecture delivered at the Warburg Institute, London, on 9 October 2013. Fifteen digital copies of the first volume of the book have been printed; the second volume - and a revised version of the first volume - will follow. A copy of the first edition of the first volume is in the Warburg Institute Library, under NCH1250. The first two volumes are concerned with the Renaissance and the Baroque. There will be a third volume, continuing from the 18th to the 20th century. According to the author, 'Arcadia' is not a constant, let alone a universal, and has evolved as notion - as the author seeks to show. An important part of the enterprise is to study both literature (including drama and song) and the visual arts, and in all the relevant European languages (Latin, Italian, French, Spanish, English, Dutch, German). 

 

Paul Holberton as an authority on Giorgione

In his PhD, for which he studied at the Warburg Institute, London, Paul Holberton studied the iconography of Giorgione, which took him into the study especially of pastoral literature. He has published the following articles on Giorgione:

Review of E.M. Dal Pozzolo, Giorgione, The Burlington Magazine, October 2011

Review of exhibition 'Giorgione', quincentenary of his death, Castelfranco Veneto, The Burlington Magazine, April 2010

'Giorgione's sfumato', in Giorgione Entmythisiert, papers arising from conference held at the Kunsthistorisches Museum, Vienna, on the occasion of the Giorgione exhibition, 2005, 2008

Review of Giorgione exhibitions in Venice and Vienna, Apollo, May 2004

'To Loosen the Tongue of Mute Poetry: Giorgione's Self-Portrait as "David" as a Paragone Demonstration', in Poetry on Art. Renaissance to Romanticism, ed. Thomas Frangenberg, Donington (Shaun Tyas/Paul Watkins), 2003

'La critica e fortuna di Giorgione: il conflitto delle fonti', in La Pittura nel Veneto: Il Cinquecento, M. Lucco (ed.), vol. 3, Milan 1999

'Giorgione's Tempest or "little landscape with the storm with the gypsy": more on the gypsy, and a reassessment', Art History, vol. 18, no. 3, September 1995

'Varieties of giorgionismo', in New Interpretations of Venetian Renaissance Painting, F. Ames-Lewis (ed.), London 1994

'The Pastorale or Fete champetre in the Early Sixteenth Century', in Titian 500 (Studies in the History of Art 45), Washington, D.C., 1993

'Clutching False Gods': Review of Salvatore Settis, Giorgione's Tempest: Interpreting the Hidden Subject, Art History, vol. 14, no. 1, 1991

Poetry and Painting in the Time of Giorgione, PhD diss., Warburg Institute, University of London, 1989

Review of Christian Hornig, Giorgiones Spaetwerk, Munich 1987, in The Burlington Magazine, CXXX, July 1988

'La bibliotechina e la raccolta d'arte di Zuanantonio Venier', Atti dell'Istituto Veneto di Scienze, Lettere ed Arti, CXLIV, 1985-6, Classe di scienze morali, lettere ed arti, pp. 172-93

 

Paul Holberton: publications on the Renaissance more generally

Review of exhibition Tiziano e la nascita del paesaggio moderno, Milan, Palazzo Reale, The Burlington Magazine, CLIV, May 2012

Review of Alastair Fowler, Renaissance Realism: Narrative Images in Art and Literature (Oxford 2003), The Burlington Magazine, December 2003

'The Pipes in Titian's Three Ages of Man', Apollo, CLVII, no. 492, February 2003

'Classicism', 'Renaissance', and other entries in The Oxford Companion to Western Art, ed. H. Brigstocke, Oxford 2001

'Notes on Giulio Campagnola's prints', Print Quarterly, vol. 13, no. 4, 1996

South Italy: A Traveller's Guide, London (John Murray) 1992

Palladio's Villas: Life in the Renaissance Countryside, London (John Murray) 1990

'Instead of iconology: virtuosity (mostrare l'arte) and symmetry (pendants) in Italian Renaissance Art', Word and Image, IV, 1, 1988

'The Choice of Texts for the Camerino Pictures', in Bacchanals by Titian and Rubens: Papers given at a Symposium in Nationalmuseum, Stockholm, March 1987, Stockholm 1987

'Battista Guarino's Catullus and Titian's Bacchus and Ariadne', The Burlington Magazine, CXXVIII, May 1986

'Of Antique and Other Figures: Metaphor in Early Renaissance Art', Word and Image, I, 1, 1985

'Botticelli's Hypnerotomachia in the National Gallery, London', Illinois Classical Studies, IX, 2, 1984

'Botticelli's Primavera: 'che volea s'intendesse', Journal of the Warburg and Courtauld Institutes, XLV, 1982