Following the success of their debut show in New York last year, UK dealer Tomasso Brothers is returning to stage a second Scultura exhibition at the Williams Moretti Irving Gallery, New York. Accompanying the exhibition, this beautifully illustrated catalogue presents European sculpture from the 14th to the early 19th centuries. More
Antico: The Golden Age of Renaissance Bronzes
210 pages, hardback, 279 x 197 mm, 163 colour illustrations
ISBN: 978 1 907372 27 8
Eleonora Luciano, Claudia Kryza-Gersch, Stephen Campbell et al.
This publication will be the only available English-language monograph to date on sixteenth-century sculptor Pier Jacopo Alari Bonacolsi (c. 1455–1528), who earned the nickname 'Antico' with his highly refined reductions of Greco-Roman antiquities. His bronzes – many of which were produced at the brilliant court of Isabella d'Este at Mantua – were remarkable for being meticulously cast and finely cleaned and finished, designed for close appreciation in the privacy of a courtly studiolo. His black patination and exquisite detailing, such as gilded hair and silver-inlaid eyes, are characteristic.
Given Antico's importance for the history of sculpture this book is a much needed resource in the field, presenting new scientific research and the results of technical studies undertaken at the National Gallery of Art, Washington. A series of essays places Antico's life, work and technique in a contextual framework useful for understanding his body of work. In addition to providing an overviewof the artist's career, the catalogue will also address key topics from his workmanship and craft to his relationship with the court of Mantua.
Eleonora Luciano, associate curator of sculpture at the National Gallery of Art provides a biography of the artist; Claudia Kryza-Gersch, curator of Italian sculpture at the Kunsthistorisches Museum, Vienna, discusses Antico as a 'Pioneer of Renaissance sculpture'; Stephen Campbell, professor of the Department of Art History at John Hopkins University, writes about 'Antico and Humanism at the Court of Mantua'; Davide Gasparotto, curator at the Galleria Nazionale di Parma, considers Antico's portraiture; Denise Allen, curator at the Frick Collection, New York, writes about 'Materials, Workmanship and Meaning' in the artist's work.
Two appendices present new scientific work: Shelley Sturman and Dylan Smith, both conservators at the National Gallery of Art, explore the technology of Antico's bronzes, and Richard Stone, conservator emeritus at the Metropolitan Museum of Art, New York, examines Antico's patinas.
Accompanying an exhibition at National Gallery of Art, Washington 6 November 2011 – 8 April 2012; The Frick Collection 1 May – 29 July 2012.
"This exhibition, with its excellent accompanying monograph, restores Antico to his rightful place at a tipping point in Renaissance art." Apollo, February 2012
After more than 15 years in business Tomasso Brothers are delighted to be hosting their spectacular debut sculpture exhibtion at Adam Williams Fine Art, New York. To mark this seminal exhibition of more than 40 important works they have produced a luxurious catalogue, which aims to represent and describe the sculptures through sophisticated photographs and informative catalogue descriptions. More
This richly illustrated and beautifully produced scholarly catalogue of the superlative collection of Renaissance and Baroque bronze figurative statuettes from the Hill Collection, accompanies an exhibition of the collection at The Frick Collection, New York, opening late January 2014. More
The outstanding collection of European sculptures formed by Peter Marino, which focuses especially on French and Italian bronzes of the High Baroque, includes masterpieces by some of the greatest sculptors of their age, among them Ferdinando Tacca, Giovanni Battista Foggini, Robert Le Lorrain and Corneille van Clève. This volume of contributions to the symposium held in June 2010 testifying to the importance of the Marino Collection includes ten essays by distinguished scholars of sculpture. More
Display and Displacement: Sculpture and the Pedestal from Renaissance to Post Modern (1550-2000) OUT-OF-STOCK
The relationship between sculpture and pedestal is at the intersection of a number of art-historical disciplines, ranging from the history of design, architecture and urbanism to museum studies, yet because of its supporting role it has remained a largely neglected and unstudied field. This book will show how rich a seam it is for investigation. More
OUT OF STOCK The Mansion House, the palatial city residence of the Lord Mayor of London, is home to one of the capital’s finest collections of British sculpture from the 18th and 19th centuries. The first book on the sculpture ever published, this beautifully illustrated study reveals the subjects of the sculptures, the stories behind the commissions and the importance of the artists themselves. New photography highlights the qualities of the individual sculptures in their historic settings. More
The newest in the series of groundgreaking and crticially acclaimed catalogue raisonnés for the Wallace Collection, this lavish publication puts onto the map a hitherto little-known part of the collection. The 159 entries cover works in bronze, marble, terracotta and wood dating from c. 1400 to 1900, by some of the most famous names in Italian sculpture, such as Donatello, Giambologna and Algardi. Each entry is packed with new research and photography, with a comprehensive description and bibliography followed by a commentary exploring attribution, dating, function and social and historical context. More
Rodin and Dance: The Essence of Movement is the first serious study of Rodin’s late sculptural series known as the Dance Movements. Exploring the artist’s fascination with dance and bodies in extreme acrobatic poses, the exhibition and accompanying catalogue give an account of Rodin’s passion for new forms of dance – from south-asian dances to the music hall and the avant garde – which began appearing on the French stage around 1900. More
This is the only mongraph on the British sculptor Thomas Banks (1735–1805): it covers his entire oeuvre and is richly illustrated with new photographs of his remarkably accomplished sculpture. More
This publication, which accompanies an important exhibition at the Isabella Stewart Gardner Museum, looks broadly at the practice of drawing by Renaissance sculptors, including such luminaries as Donatello, Verrocchio, Michelangelo, Cellini, Bandinelli and Giambologna. The book surveys two centuries of material, considering rough sketches and more finished sheets, isolated studies and sequences of ideas. More
This is the third in the series of intelligent and lively exhibition catalogues by the Tomasso Brothers – a family richly endowed with great sensitivity to sculpture. They strive to deal in excellence, acquiring bronzes, marbles, terracottas, waxes and ivories which they show in critically acclaimed and enormously successful exhibitions. More
Bronze has long been used by sculptors to create complex and beautiful forms, three-dimensional realisations of the most vivid human emotions and experiences. The outstanding collection of European bronze sculptures formed by Peter Marino, here catalogued for the first time and beautifully photographed by Maggie Nimkin, is built around an exploration of the human form, as depicted in this lustrous and sensuous material. More