Described by The Times as a “watershed between past and future of that most magnificent of publishing beasts, the academic catalogue … as beautifully presented and generously illustrated as it is well researched”, this book draws attention to a selection of the most refined and tantalizing pieces or arms and armour from one of the most significant collections of its kind. More
PUBLISHED TO COINCIDE WITH ASIAN ART IN LONDON (3–12 November 2016)
Bringing Heaven to Earth: Chinese Silver Jewellery and Ornament in the Late Qing Dynasty
Paperback, 280 x 240 mm 200 pages, 150 images
ISBN: 978 0 9955577 0 3
Elizabeth Herridge with a foreword by Frances Wood
Published by Ianthe Press in collaboration with Paul Holberton publishing.
"A beautifully designed book with a wealth of material … enjoyable strictly for the beautiful photography, but also for anyone with a serious interest in Chinese jewellery." —Textile Research Centre
"Commendable and useful ... the story of jewellery is never just about personal adornment." —Jewellery History Today
Shining a light on a little-known area of Chinese decorative arts from 1850 to 1930, this lavishly illustrated book presents dazzling jewellery from an important private North American collection.
Immortals, dragons, magpies, monkeys and bats populate this pioneering book on Chinese jewellery of the late 19th to early 20th century. In so many aspects, these exquisite objects – made with silver, jade, tourmaline, amethyst, rock crystal, rose quartz, carnelian and serpentine – reveal a previously unexplored journey, not just from Heaven to Earth but from the West to the East and back again.
The appeal of the jewellery is more than just aesthetic, and their varied design and decoration speak of the social, religious, economic and political climate of their time. Their period of production, from the Late Qing dynasty through to the 1930s, is one that has been insufficiently explored by historians as a whole. This was the time when the Treaty Ports attracted foreign residence and tourism, when Western visitors flocked to Shanghai and Peking to buy ‘Chinese’ souvenirs, and when fashionable young Chinese of the Republican period embraced aspects of foreign life and design. Many of the pieces naturally reflect Chinese designs and motifs, particularly in the bold association of colours, their use of ‘re-purposed’ carved plaques and the emphasis on luck-bearing emblems. Western influence creeps in, however, in the form of secure box-and-tongue clasps and the occasional maker’s or retailer’s names, as well as stamps such as ‘Chinese sterling’. Do these makers’ marks suggest that the items were produced for export or do they simply represent a nod to modernity?
In the many fine photographs and her detailed descriptions of each piece, Elizabeth Herridge offers a full survey of the wide variety of the complex motifs involved and their significance. She presents a groundbreaking contribution to our understanding of early 20th-century China, its handicraft production, its commercial activities, and the last gasp of items such as mandarin court necklaces in the face of modern fashions.
Published to coincide with Asian Art in London 2016 (3-12 November) as part of their programme of events. The launch will take place at The London Library on 4 November 2016.
Elizabeth Herridge is the former Managing Director of the Guggenheim Hermitage Museum, Las Vegas. A veteran of Wall Street, she operates a London based specialist art and arts management consultancy (elizabeth-herridge.com). She is a graduate of Wellesley College, SOAS, the Getty Leadership Institute (MLI) and a specialist in Qing Dynasty decorative arts.
Frances Wood is a renowned historian, librarian and sinologue, known for her writings on Chinese history. She was for 30 years curator of the British Library’s Chinese collections. Her many publications include The First Emperor of China (2007), The Lure of China (2009), The Diamond Sutra (2010).
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