Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This simple, informative and practical book, full of fascinating and revelatory photography, will take the reader through both the techniques and media of art and the techniques and media of its investigation and restoration. More
The Courtauld Gallery, London, from 4 February 2016.
Bruegel in Black and White: Three Grisailles Reunited
Paperback, 210 x 210 mm, 56 pages, 40 colour illus.
"Fascinating” – The Telegraph
“Revels in the dark side of this well-loved artist” – The Guardian
"A small gem" —The New Criterion
Accompanying a focused display at The Courtauld Gallery that brings together for the first time Pieter Bruegel the Elder’s only three known grisaille paintings – the Courtauld’s Christ and the Woman Taken in Adultery (which is barred from travel), The Death of the Virgin from Upton House in Warwickshire (National Trust) and Three Soldiers from the Frick Collection in New York – this book examines the sources, function and reception of these three exquisite masterpieces. The panels are complemented by prints and contemporary replicas, as well by other independent grisailles in order to shed light on the development of this genre in Northern Europe.
Despite his status as the seminal Netherlandish painter of the 16th century, Pieter Bruegel the Elder (c. 1525–1569) remains an elusive artist: fewer than forty paintings are ascribed to him. Of these, a dozen are cabinet-sized. These small-scale works offer key insights as they often bear a personal significance for the artist and were sometimes given as gifts to friends and patrons. Presenting these works together for the first time is not only an extraordinary and unprecedented opportunity but it will be extremely revealing, considering their unusual nature in both Bruegel’s oeuvre and 16th-century art in general. Bruegel’s panels constitute one of the earliest and rare examples of independent cabinet pictures in grisaille, created for private contemplation and enjoyment.
OUT OF STOCK: The group of about one hundred French bronzes in the Wallace Collection is justly considered one of the finest such collections in the world. Fifty-one of the best are featured in this book, the first in-depth study of the subject in English. More
Celebrating the 250th anniversary of the opening of the Hunterian Museum in Glasgow in 2007, this book provides a full study both of William Hunter - the many-faceted surgeon/connoisseur - and of his collection of art, which not only contains a number of outstanding masterpieces, such as a Rembrandt, but also provides a revealing snapshot of the taste of the period. While illuminating this crucial transitional period in British art, the book is at the same time a catalogue of the Hunterian collection. More
Since the early Bronze Age the sword has been a sign of wealth, status and the power of divine right. Yet, before the sixteenth century the sword was almost never carried on the person in everyday life. It was a rare, noble weapon, carried into battle by the aristocratic warrior class but set aside in time of peace. However, the increasing prominence of the Renaissance middle classes brought a fundamental change to the sword's place in society. Now large numbers of non-noble but often wealthy and upwardly mobile people could also afford rich things like fine clothes, jewelry and weapons. More
The Harold Samuel Collection is a unique collection of 17th-century paintings from Holland’s Golden Age. Bequeathed to the City of London in 1987 by Lord Samuel of Wych Cross (1912-1987), a wealthy property developer and philanthropist, this remarkable collection of 84 works – the finest collection of Dutch and Flemish art assembled privately in the UK in the last hundred years – enriches the splendour of the interior of the Mansion House, residence of the Lord Mayor of London. More
The Unesco World Heritage site of Lalibela in Ethiopia is one of the most extraordinary places in the world. It contains eleven churches, all of them hewn from the native rock in imitation of buildings. However, Lalibela and the Ethiopian kingdom remained unknown in the West until the account of the first Portugese embassy to Ethiopia was published in the 16th century. More
Seldom has there been a gift of equal magnificence. In 1947 the 7th Duke of Wellington presented to the nation his London residence – Apsley House – together with a large part of its contents, the collection of the 1st Duke. Among the paintings are some of the finest canvases from the Spanish Royal Collection, captured by the 1st Duke of Wellington from Joseph Bonaparte in 1813. There are also important seventeenth-century Dutch paintings bought by the 1st Duke himself, as well as a series of French and British portraits of his illustrious contemporaries and depictions of battle scenes, which provide a visual record of the Napoleonic period. More
The Madonna and Child, also known as the 'Dudley Madonna', was painted in c. 1508 by Giovanni Bellini (Venice, c. 1430–1516), one of the most celebrated of Italian artists. Recognised as an important composition by Bellini in the early 20th century, for a hundred years until its sale at auction in 2012 this picture had hardly ever been seen. This book places the painting within Bellini's career and development even though he was over 75 years old when he painted it. More
This book is about a family tree: the line of descent that can be traced from Perugino in Italy in the fifteenth century to Edouard Manet in France in the nineteenth. It is not the usual kind of genealogy, of those connected by blood, more an ‘apostolic succession’, following the way in which art in Europe was taught, from one generation to the next, from 1480 to 1880. More
Celebrating the Beckett Centenary. Awarded third prize by The Art Newspaper/Axa Art Prize for best catalogue of the year published in the UK - "admired for the quantity of new material it presented about Beckett himself and the worlds of literature and visual arts". More
OUT OF PRINT: Accompanying an exhibition that promises to be the most comprehensive survey of Indian painting that the West has ever seen, this beautiful two volume catalogue spans 800 years of Indian painting, and some 240 masterpieces by more than 40 artists. These great Indian masters are unquestionably the equals of Dürer, Michelangelo or Vermeer. More