OUT OF PRINT In the early nineteenth century Paris was an irresistible attraction for thousands of British tourists, among whom were many painters. There was an unprecedented interest in views of the city, and artists responded to this excitement with an extraordinary range of works, from simple pencil views to the most elaborate watercolours. It is this remarkable contribution of the British to the iconography of Paris, and the fact that it was in the early nineteenth century that the French capital became the major destination for mass middle-class tourism that it has remained ever since, that justifies the title of this publication – The Discovery of Paris. More
Late & Post Modern
Housing the Twentieth-century Nation
176 pages, paperback, 265 x 195 mm
ISBN: 978 0 9556687 0 8
Edited by Elain Harwood and Alan Powers, with contributions from Barbara Linsley, Roland Jeffrey, Matthew Whitfield, Joanna Smith, Judith Alfrey, Elain Harwood, Peter Carolin, John Partridge, Chris Whittaker, Miles Glendinning, Michael Drage and Jonah Lowenfield.
There was no bigger issue in the twentieth century than housing. In peace or war, people need homes, and a growing population and demands for better standards put architects, planners and sociologists to work. The century was known for its public housing, culminating in the tower blocks that once peppered major cities such as Birmingham and Glasgow, now fast disappearing. But that is far from the whole story.
This book considers housing from across the century, from rural Norfolk to inner London, via Scotland and Wales. It looks at the work of local authorities on meagre budgets, at the colourful world of housing charities in the 1920s and even at the problems of building highdensity flats for the rich. Other articles appraise Britain’s housing internationally. East Tilbury, built for a Czech industrialist on modernist lines, is studied in new depth. Cumbernauld and Peterlee – pillories of post-war planning – are reappraised, and forgotten housing figures from mid-century Liverpool and the Midlands uncovered. New light is also shed on such famous estates as Alton and Byker, with articles by architects who designed them.
A haunting evocation of the ruined country estates of the Russian aristocracy of the 18th and 19th centuries. Revolution, civil war, invasion, anarchy and casual indifference have conspired against many of the grand buildings of Russia’s rich and complex past. While the architectural riches of Moscow and St Petersburg still exist for everyone to see, when the photographer Simon Marsden and author Duncan McLaren entered the Russian countryside, away from the obvious tourist trails, they encountered a very different world... More
This book is first published to accompany the major exhibition at Compton Verney, ‘The Artist’s Studio’, staged at this great Adam-designed country house in Warwickshire. This rarely studied subject is covered in expert essays based upon new research from the late sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and Cézanne to Lucian Freud and Francis Bacon. More