Old Masters

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Condition: The Ageing of Art

Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This simple, informative and practical book, full of fascinating and revelatory photography, will take the reader through both the techniques and media of art and the techniques and media of its investigation and restoration. More

Bruegel in Black and White: Three Grisailles Reunited

Accompanying a focused display at The Courtauld Gallery that will bring together for the first time Pieter Bruegel the Elder’s only three known grisaille paintings, this book will examine the sources, function and reception of these three exquisite masterpieces. The panels will be complemented by prints and contemporary replicas, as well by other independent grisailles in order to shed light on the development of this genre in Northern Europe. More

Henry VIII Revealed: The Legacy of Holbein’s Portraits

The portly figure of Henry VIII depicted by Holbein may be very familiar, but this book reveals much more about the portrait, the sitter, the artist and his workshop. It gathers together and analyses the several copies and variants of Holbein’s Whitehall cartoon of Henry VIII, more than one of which is by the only significant painter immediately after Holbein in England, Hans Eworth. More

The Olivetan Gradual: Its Place in 15th-century Lombard Manuscript Illumination

This illuminated manuscript, a gradual of large size which the whole congregation of monks could see and read as they sang in choir (just as they are shown doing in an illustration in the manuscript itself), was previously unknown to scholars and has only recently come to light. It was clearly produced for a monastery of the Olivetan order, a branch of the Benedictines with a particular reverence for the Virgin Mary – probably Santa Maria di Baggio near Milan. More

Love and Marriage in Renaissance Florence: The Courtauld Wedding Chests

Accompanying an exhibition at The Courtauld Gallery, this catalogue explores one of the most important and historically neglected art forms of Renaissance Florence: cassoni – pairs of chests that were lavishly decorated with precious metals and elaborate paintings and were often the most expensive of a whole suite of decorative objects commissioned to celebrate marriage alliances between powerful families. More

Temptation in Eden: Lucas Cranach's Adam and Eve OUT-OF-STOCK

The Courtauld’s Adam and Eve is arguably the most beautiful of Cranach’s fifty or more depictions of this subject. It brilliantly combines devotional meaning with pictorial elegance and invention. This exhibition catalogue explores the making and meaning of this Protestant and courtly masterpiece, and the contexts in which it was made and seen. It incorporates much conservation and technical research. More

Michelangelo's Dream

"The whole thing is a curatorial and scholarly triumph ... the catalogue essays do full justice to the power of Michelangelo's intellect, as well as to hand and eye" (Richard Dorment, Telegraph). Michelangelo's Dream (or Il Sogno) is one of the finest of all Italian Renaissance drawings and is amongst The Courtauld Gallery's greatest treasures. Executed at the height of the artist's career, this magnificent work exemplifies Michelangelo's unrivalled skill as draughtsman and his extraordinary power of invention. More

Renaissance and Baroque Bronzes: in and around the Peter Marino Collection

The outstanding collection of European sculptures formed by Peter Marino, which focuses especially on French and Italian bronzes of the High Baroque, includes masterpieces by some of the greatest sculptors of their age, among them Ferdinando Tacca, Giovanni Battista Foggini, Robert Le Lorrain and Corneille van Clève. This volume of contributions to the symposium held in June 2010 testifying to the importance of the Marino Collection includes ten essays by distinguished scholars of sculpture. More

The Image of Venice: Fialetti's View and Sir Henry Wotton

The city of Venice holds a special place in the global imagination. This book explores the creation of one of its largest surviving depictions, which has remained almost unknown to the wider public since its creation exactly four centuries ago. Signed and dated 1611, the painting is the work of a notable early seventeenth- century Bolognese artist, Odoardo Fialetti. His huge bird’s-eye view of the watery townscape is enlivened by first-hand observation of tiny vignettes of Venetian life. Eight square metres in size, this remarkable painting is a tour-de-force among depictions of cities. More

The Young Dürer: Drawing the Figure

Accompanying an exhibition that examines the figure drawings of the young Albrecht Dürer, this catalogue focuses on his formative years from around 1490, when he completed his artistic training, to 1496, when he established himself permanently as a master in Nuremberg in southern Germany. This period included the so-called Wanderjahre or 'journeyman years', during which the artist travelled widely and was exposed to a range of new experiences. His drawings demonstrate the significance of these early influences in shaping his ambitious artistic personality. More

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