In 1966 Mark Gambier-Parry bequeathed to the Courtauld the art collection formed by his grandfather Thomas Gambier Parry (who died in 1888). In addition to important paintings, Renaissance glass and ceramics and Islamic metalwork, this included twenty-eight ivories. Since 1967 about half of the ivories have been on permanent display at The Courtauld, yet they have remained largely unknown, even to experts. This catalogue is the first publication dedicated solely to the collection. There are examples of the highest quality of ivory carving, both secular and religious in content, and a number of the objects are of outstanding interest. More
Paths to Reform: Things new and old
116 pages, paperback, 275 x 210 mm, 46 full-page colour illus.
ISBN: 978 0 9838546 5 4
Sandra Hindman, Laura Light
Introduction by David Lyle Jeffre
Paths to Reform traces the fascinating and turbulent history of reform in the Medieval and Early Modern Church from the twelfth through the seventeenth centuries as seen through forty contemporary manuscripts and a number of printed books. Brought together, these manuscripts – their physical format, their text and illustrations – offer a new historical perspective as well as vivid testimony to the ways in which communities of the faithful practiced their beliefs.
The journey begins with texts associated with the religious orders of the Middle Ages that sought change and renewal – Bernard of Clairvaux and the Cistercians, St Francis of Assisi, St Bridget of Sweden and St Francis de Paula. The core of the book explores in greater detail texts (especially those in the vernacular) associated with the Devotio Moderna and parallel movements in France and Italy. The physical differences of the manuscripts as well as some striking textual similarities emerge. The same themes, classically expressed in texts such the Imitation of Christ and Henry of Suso’s Clock of Wisdom, are found in manuscripts copied across Europe. French noble women, for example, studied in French and in lavish copies the same texts found in much simpler copies in Dutch read by humble Brothers or Sisters of the Common life in the Low Countries.
The last part of the book examines manuscripts associated with the Protestant Reformation, including a New Testament, a Psalter, an illuminated Lutheran prayer book and a Catholic Book of Hours with inappropriate passages crossed out so that it could still be used in Protestant England. There is also a fascinating collection of hymns in the vernacular meant to be sung in unison during private meetings among reformed churchgoers.
Paths to Reform is the third in the series ‘Textmanuscripts’ published by Les Enluminures, following Binding and the Archeology of the Medieval and Renaissance Book and Before the King James Bible.
Sandra Hindman is a leading expert on Medieval and Renaissance manuscript illumination, Professor Emerita of Art History at Northwestern University and owner of Les Enluminures, with galleries in Paris, New York and Chicago.
This is the catalogue to an outstanding collection of Medieval art from a private collection. Ranging from paintings and sculpture to stained glass, manuscripts and caskets, many of the objects presented here are of absolute rarity, some are previously unpublished and - until recently - unknown. More
These works of museum quality, from an anonymous collection (one of the most important currently in private hands), were exhibited at the Victoria and Albert Museum in 2005. Many of the objects in the catalogue will be well known to those familiar with the specialist literature, even if they were unaware of their whereabouts. More
"This sumptuously illustrated book, which accompanied the exhibition at the Groeningemuseum in Bruges in 2007–08, is an important new study of the late-fourteenth-century Valenciennes-born sculptor André Beauneveu whose surviving works deserve to be more widely known." (Church Monuments journal) The full scope of his talent was exploited by the celebrated royal patron Jean de Berry, for whom he produced manuscript illuminations, made designs for stained glass and oversaw the construction of his château at Mehun-sur-Yevre. However, it is primarily his very great skill in the handling of stone which gives Beauneveu such particular significance in the history of late medieval art. More
The importance of Gombrich’s work on the history of taste has yet to be fully recognised, and when it comes to the application of developments in psychology to the visual arts he has remained largely, among art historians, on his own. These essays assess the nature of his empiricism, the degree to which his ideas have been adopted, overturned or developed, and his contribution to the dialogue of art and perception. More
In the middle of the fourteenth century, Europe was devastated by an appalling epidemic which killed a third of its population. Accused of having spread the disease, Jewish communities faced terrible persecutions, which often led them to bury their most valuable goods. Two of these hoards, discovered at Colmar in 1863 and at Erfurt in 1998, are discussed and illustrated in this splendid catalogue, published to accompany an exhibition at the Wallace Collection London. More
Medieval art has been collected for at least 200 years, yet there is a perception that if it is not locked away in a monastery it has found its home in a museum long ago. Nothing could be further from the truth. It is the richness and variety of what still lies unclaimed by history that makes this material so interesting. More