Accompanying a unique exhibition at Dulwich Picture Gallery, London, of the work of Nicolas Poussin and Cy Twombly, who sadly died on 5 July this year, this book is "so unusual and its theme so enduringly relevant, especially now, that it truly should not be missed" (The Spectator). More
Dulwich Picture Gallery
200 pages, hardback, 280 x 240 mm, 120 colour illustrations
ISBN: 978 1 907372 01 8
Helen Langdon, Xavier F. Salomon and Caterina Volpi
Salvator Rosa was one of the boldest and most powerfully inventive artists and personalities of the Italian 17th century. In Britain he is now best known for his wild landscapes, those scenes of which Horace Walpole so memorably wrote: “Precipices, mountains, torrents, wolves, rumblings – Salvator Rosa”. But Rosa was far more than this. He invented a range of new types of painting – novel allegorical pictures, distinguished by a haunting and melancholy poetry; fanciful portraits of romantic and enigmatic figures; macabre and horrific subjects, which give expression to the dark side of 17th-century triumphalism; highly original philosophical subjects, which bring into painting some of the major philosophical and scientific concerns of the age. His mature art is characterized by his dazzlingly free technique, rich chiaroscuro and dark but strong colours. No other artist has created windswept landscapes of such expressive and emotional power, or figures of such brooding intensity.
This comprehensive catalogue, presenting Rosa’s pictures in new, clear and accurate photographs, emphasizes the variety and quality of Rosa’s art. It will attempt to create a unified aesthetic for his art, to put it back into the 17th century, as it were, and create a rich and new intellectual context for the artist’s wide interests and achievements.
Accompanying an exhibition at Dulwich Picture Gallery, London, 15 September–5 December 2010, travelling to Kimbell Museum of Art, Fort Worth, Texas, Spring 2011.
Accompanying the first ever exhibition devoted to the Dutch painter and draughtsman Adriaen van de Velde (1636–1672), this is also the first monograph on the artist – one of the finest of the Dutch Golden Age. The Art Newspaper billed the exhibition as one of their top picks of 2016 and it has been nominated for a 2016 Global Fine Art Award. More
'Dutch Italianate painting’ is an important as well as appealing strand of landscape painting in the seventeenth century. Some of the artists who practised it – Jan Both, Jan Asselyn, Jan Baptist Weenix, Nicolaes Berchem – had visited Italy, others, most famously Aelbert Cuyp, had not. More
The most individual English architect since Vanbrugh, Sir John Soane was a Romantic classicist, known for his experimental interest in effects of light and space. Dulwich Picture Gallery is one of the few intact creations of his genius, not only remarkably preserved but still serving the function for which it was built, as a picture gallery (as such highly influential ever since). More
In the 1930s William Heath Robinson (1872–1944) was known as “The Gadget King” and he is still most widely remembered for his wonderful humorous drawings and illustrations. This book, containing over 100 of his finest, accompanied the first exhibition ever held of William Heath Robinson’s work as illustrator as well as humourist. More