Late & Post Modern

The Artist's Studio

The Artist's Studio

128 pages, paperback, 297 x 210 mm, 70 colour illustrations
PRICE: £20.00
ISBN: 978 0 955406 33 1

 

Customers in the US or Canada, CLICK HERE

Edited by Giles Waterfield

This book is first published to accompany the major exhibition at Compton Verney, ‘The Artist’s Studio’, staged at this great Adam-designed country house in Warwickshire.

This rarely studied subject is covered in expert essays based upon new research from the late sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and Cézanne to Lucian Freud and Francis Bacon. A mass of spectacular colour images illustrate the story, including major works of art and important photographs showing the likes of Andy Warhol, Frank Auerbach and Lucian Freud at work. A special feature is the inclusion of illustrations of the original works of art by several contemporary artists that were specially commissioned the explore the theme of the exhibition.

The book is written in a lively and accessible manner, yet presents a cutting-edge and scholarly account of this fascinating subject.

 


Russia: A World Apart

A haunting evocation of the ruined country estates of the Russian aristocracy of the 18th and 19th centuries. Revolution, civil war, invasion, anarchy and casual indifference have conspired against many of the grand buildings of Russia’s rich and complex past. While the architectural riches of Moscow and St Petersburg still exist for everyone to see, when the photographer Simon Marsden and author Duncan McLaren entered the Russian countryside, away from the obvious tourist trails, they encountered a very different world... More

The Discovery of Paris: Watercolours by Early Nineteenth-Century British Artists

OUT OF PRINT In the early nineteenth century Paris was an irresistible attraction for thousands of British tourists, among whom were many painters. There was an unprecedented interest in views of the city, and artists responded to this excitement with an extraordinary range of works, from simple pencil views to the most elaborate watercolours. It is this remarkable contribution of the British to the iconography of Paris, and the fact that it was in the early nineteenth century that the French capital became the major destination for mass middle-class tourism that it has remained ever since, that justifies the title of this publication – The Discovery of Paris. More