This exhibition and catalogue celebrates the most gifted, inventive and eccentric amateurs of the 18th and early 19th centuries with a selection of drawings, engravings and portraits gathered from Soane's collection and other museums, archives and private houses around the country. More
Exh. Cats. by Gallery
FORTHCOMING MARCH 2017 (APRIL USA)
Compton Verney, 18 March – 18 June 2017
Creating the Countryside: The Rural Idyll Past and Present
Paperback, 260 x 216 mm, 120 pages, 60 colour illus.
ISBN: 978 1 911300 10 6
Edited by Rosemary Shirley and Verity Elson
Contributions by Jeremy Buchardt, Alice Carey, Verity Elson, Nick Groom, Steven Parissien, Rosemary Shirley, Nicola Bishop
The rural idyll occupies a deeply rooted place in the collective imagination. This highly original and vibrant study examines how key moments in art history have shaped our understanding of the British countryside and how contemporary artists continue to access and often challenge this concept.
From High Art to propaganda, garden centres to air fresheners, contemporary art to computer games – a constellation of powerful images and ideas contribute to our understandings of the rural. This publication offers new ways of thinking about how ideas of the countryside have been formed and how they are reflected in contemporary culture, through the innovative integration of historic works by artists including Constable, Gainsborough and Stubbs, works of modern British art, together with contemporary responses to rural life and landscape by artists such as Mat Collishaw, Grayson Perry, Anna Fox and Alison Goldfrapp. Crucially, this volume enters this rich array of artworks into a productive dialogue with a range of visual cultures that populate everyday life, exploring how the imagery of the rural idyll is re-enacted, adapted and used today.
Creating the Countryside features new writing from a variety of disciplines, encompassing the spheres of art history, rural history, literature and contemporary art. Interspersed throughout the publication are series of interviews with artists who are working with the rural in innovative ways, offering a stimulating range of new perspectives on the role and importance of the countryside in contemporary culture.
The publication features artists whose work spanns nearly four centuries, including Helen Allingham, William Blake, Edward Burra, Rebecca Chesney, George Clausen, William Collins, Mat Collishaw, John Constable, Evelyn Dunbar, Anna Fox, Thomas Gainsborough, James Guthrie, Ian Hamilton Finlay, Josef Herman, Paul Hill, Sigrid Holmwood, Horockses, Hilary Jack, Peter Kennard, Delaine Le Bas, Clare Leighton, Claude Lorrain, Edward McKnight Kauffer, Jean-François Millet, MyVillages, Frank Newbould, Samuel Palmer, Grayson Perry, John Pettie, John Piper, Ingrid Pollard, Paul Reas, John Robertson Reid, Andy Sewell, Jo Spence, Stanley Spencer, George Stubbs, Graham Sutherland, Homer Sykes, Edward Arthur Walton and John Wyndham.
Until recently, the Dutch draughtsman Johannes Thopas, who was born in 1626 both deaf and dumb, was only known to a small group of connoisseurs, dealers and collectors. However, his remarkable, subtle and technically refined portrait drawings on parchment deserve a wider audience. This handsome publication, the first devoted to his work, will prove to be an eye opener for many art lovers. More