OUT OF PRINT In the early nineteenth century Paris was an irresistible attraction for thousands of British tourists, among whom were many painters. There was an unprecedented interest in views of the city, and artists responded to this excitement with an extraordinary range of works, from simple pencil views to the most elaborate watercolours. It is this remarkable contribution of the British to the iconography of Paris, and the fact that it was in the early nineteenth century that the French capital became the major destination for mass middle-class tourism that it has remained ever since, that justifies the title of this publication – The Discovery of Paris. More
Late & Post Modern
Creative Tension: British Art 1900-1950 OUT OF PRINT
128 pages, hardback, 274 x 240 mm, 110 colour illustrations
ISBN: 978 1 903470 28 2
Edited by Stephen Whittle. With contributions by Adrian Jenkins, Francis Marshall, David Morris, Stephen Whittle, Dinah Winch
"Featuring more than 100 beautifully reproduced paintings, this handsome and informative volume fills a serious gap in the study of modern British art and should be included in all strong art collections", Martin Chasin, Library Journal Review
From 1900 to 1950 Lancashire's galleries, fuelled by large endowment funds and civic pride, vied with each other to build collections of work by the most important artists living in Britain. Creative Tension showcases the outstanding collections of Gallery Oldham; the Harris Museum & Art Gallery, Preston; Bolton Museum & Art Gallery; Touchstones Rochdale; along with a small number of works from other North-west British galleries.
The period was a time of great change, excitement and conflict in British art. The collections of the four galleries are used to present an alternative history of the time, showing the tensions and crossovers between very different artistic styles. Works by famous artists such as L.S. Lowry, Ben Nicholson, Alfred Munnings, Jacob Epstein, Lucian Freud and Mark Gertler are featured alongside works by now lesser-known artists whose work nevertheless has great interest.A significant role is played also by studio pottery, which in the theory of the time was perceived as an abstract art equivalent in importance to painting and sculpture.
A haunting evocation of the ruined country estates of the Russian aristocracy of the 18th and 19th centuries. Revolution, civil war, invasion, anarchy and casual indifference have conspired against many of the grand buildings of Russia’s rich and complex past. While the architectural riches of Moscow and St Petersburg still exist for everyone to see, when the photographer Simon Marsden and author Duncan McLaren entered the Russian countryside, away from the obvious tourist trails, they encountered a very different world... More
This book is first published to accompany the major exhibition at Compton Verney, ‘The Artist’s Studio’, staged at this great Adam-designed country house in Warwickshire. This rarely studied subject is covered in expert essays based upon new research from the late sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and Cézanne to Lucian Freud and Francis Bacon. More