This exhibition and catalogue celebrates the most gifted, inventive and eccentric amateurs of the 18th and early 19th centuries with a selection of drawings, engravings and portraits gathered from Soane's collection and other museums, archives and private houses around the country. More
Exh. Cats. by Gallery
Accompanying an exhibition at Suermondt-Ludwig-Museum, Aachen, 13 March – 22 June 2014, and at Rembrandt House Museum, Amsterdam, 12 July – 5 October, 2014.
Deaf, Dumb & Brilliant: Johannes Thopas, Master Draughtsman
Paperback, 200 pages, 260 x 216 mm, 100 illustrations
ISBN: 978 1 907372 67 4
Rudolf E.O. Ekkart
Until recently, the Dutch draughtsman Johannes Thopas, who was born in 1626 both deaf and dumb, was only known to a small group of connoisseurs, dealers and collectors. However, his remarkable, subtle and technically refined portrait drawings on parchment deserve a wider audience. This handsome publication, the first devoted to his work, will prove to be an eye opener for many art lovers.
Beginning with his earliest works (two beautiful miniatures of 1646 in the Fundation Custodia in Paris), Thopas produced incredibly refined drawings, usually with lead point on parchment. He had an almost magic control of the lead point, and his sense of texture and the way he was able to achieve this with minimal means in astounding, setting him apart from other draughtsmen in the Dutch Golden Age. Thopas was also able to capture brilliantly the characters of his sitters – such as the sulky husband and trouser-wearing wife in 1684 companion pieces in the Victoria and Albert Museum, London.
Apart from lead-point drawings, Thopas made several drawings in colour, on parchment and on Japanese paper. In most cases these drawings were done after life, although we do know that the large commision he received from the Bas-Kerckrinck family in Amsterdam included several drawings that were done after existing portraits. Furthermore, he produced at least one brilliant copy after a painting by Cornelis Cornelisz van Haarlem, Venus, Mars and Cupid, and even a painting, portraying a dead child. He must have made more paintings and certainly more drawings than the seventy we know today (all of which are catalogued and illustrated here). In this echibition his only known painting and the one mythological drawing and accompanied by thirty of his most beaitiful portraits, from private collections in the US, Canada, United Kingdom and the Netherlands, as well as well-known museums and print rooms, such as the Albertina in Vienna, the Amsterdam Rijksmuseum, the Städel in Frankfurt and the Victoria and Albert Museum in London.
The author of the catalogue, Prof. Dr Rudolf E.O. Ekkart, is regarded as the most important connoisseur in the field of Dutch sixteenth- and seventeenth-century portraiture and the author of many important monographs and other publications in the field of Dutch portraiture. He was Director of the Netherlands Instititute for Art History (RKD) in the Hague between 1990 and 2012 and gained fame as Chairman of the Committee that caried his name and proved responsible for the return of many looted works of art that were returned to the heirs of many Jewish collectors in the Netherlands.
Included in the book are Dutch and German translation of the essays.
"The brilliant Dutch master draughtsman Johannes Thopas, a deaf mute, lived in a melancholy world, brilliantly revealed by rudolf Ekkart …. presented with clarity, clear academic equipment and an authority that comes from long study and devotion …. The quality of reproduction and production on the whole is true to Paul Holberton's highest standard, as one would expect."
The Art Newspaper
"Books that focus attention on unheralded masters of talent and historical significance are rarities these days. For that reason alone, Rudi Ekkart’s Deaf, Dumb & Brilliant deserves special notice. This handsome production reconstructs the life and work of Johannes Thopas (c. 1626-1688/95), a singular Dutch draftsman and painter who was, until very recently, unknown even to most specialists in the Dutch field. It puts Thopas on the art-historical map, where he very much belongs. The book consists of three richly informative essays outlining Thopas’s life story, artistic development, and place within the history of drawing, followed by an illustrated catalogue of the artist’s extant and lost works."
Historians of Netherlandish Art