Old Masters

First | Previous | 1  2  3  4  5  6  7  8  9  10  11  | Next | Last

Antiquity Unleashed: Aby Warburg, Dürer and Mantegna

An examination of masterpieces by Dürer and Mantegna to shed light on the idea of the 'pathos formula', one of the most important concepts of one of the most influential art historians and cultural theorists of the 20th century, the Hamburg banker’s son Aby Warburg (1866–1929). More

The Global City: On the Streets of Renaissance Lisbon

Recently identified by the editors as the Rua Nova dos Mercadores, the principal commercial and financial street in Renaissance Lisbon, two sixteenth-century paintings, acquired by Dante Gabriel Rossetti in 1866, form the starting point for this portrait of a global city in the early modern period. Focusing on unpublished objects, and incorporating newly discovered documents and inventories that allow novel interpretations of the Rua Nova and the goods for sale on it, these essays offer a compelling and original study of a metropolis whose reach once spanned four continents. More

Ornament and Illusion: Carlo Crivelli of Venice

This catalogue explores one of the most important but historically neglected painters of the Italian Renaissance, Carlo Crivelli (c. 1435–c. 1495). Venetian by birth, Crivelli was shaped by formative experiences in Padua and embarked on a career that spanned both sides of the Adriatic. His extraordinary success led to a virtual monopoly in the Marches, where he dominated the market for towering altarpieces and jewel-like paintings for private devotion in the second half of the 15th century. Pushing the boundaries between painting and sculpture, his works are distinguished by their radically expressive compositions, luxuriant ornamental display and bravura illusionism. More

Annibale Carracci's Venus, Adonis and Cupid

Annibale Carracci was the great genius of early Baroque painting in Italy, blighted by melancholia at the end of his life but full of promise and invention in his prime. This book concentrates on one of his most ambitious early works, the Venus, Adonis and Cupid in the Prado Museum, Madrid. The paintings has recently been cleaned and restored and this book establishes it as one of the great works of Annibale's career - and as a simply wonderful painting. More

Collected Opinions: Essays on Netherlandish Art in Honour of Alfred Bader

A very handsome addition to any art library" (Art Times) "There is a wealth of information, scholarly insight, and sound reasoning in this work, which serves as both a tribute to one man and a contribution to art history." (Library Journal Reviews) More

Inspired by Italy: Dutch Landscape Painting 1600–1700

'Dutch Italianate painting’ is an important as well as appealing strand of landscape painting in the seventeenth century. Some of the artists who practised it – Jan Both, Jan Asselyn, Jan Baptist Weenix, Nicolaes Berchem – had visited Italy, others, most famously Aelbert Cuyp, had not. More

Paintings for the Planet King: Philip IV and the Buen Retiro Palace HARDBACK

Philip IV of Spain (ruled 1621-1665) was known as the 'Planet King', shining brightly in the universe of the arts even if the Golden Age of Spanish painting coincided with imperial decline. The Buen Retiro Palace surpassed any palace ever built in Europe for the collection of paintings it contained - Velázquez, Zurbarán, Rubens, Claude, Poussin.< More

Rubens: The Adoration of the Magi

Originally painted for the Town Hall in Antwerp in 1609, Rubens's Adoration of the Magi subsequently passed to the King of Spain, and was rediscovered in Madrid by the artist in 1628. He repainted and extended it, in a dialogue with his younger self which this book studies. More

Adam Elsheimer 1578-1610

"What is remarkable about this volume is the number of quality reproductions of the artist's work that can be seen together for the first time. This collection of paintings demonstrates more comprehensively than ever before Elsheimer's extraordinary intuition for light and atmosphere..." Antiques Magazine More

David Teniers and the Theatre of Painting

This is an overdue investigation into one of the most remarkable artistic enterprises of the seventeenth century, much cited but seldom discussed, David Teniers the Younger’s publication in 1660 of the magnificent Theatrum Pictorium or Theatre of Painting, the first illustrated and printed collection catalogue. More

First | Previous | 1  2  3  4  5  6  7  8  9  10  11  | Next | Last