This book is first published to accompany the major exhibition at Compton Verney, ‘The Artist’s Studio’, staged at this great Adam-designed country house in Warwickshire. This rarely studied subject is covered in expert essays based upon new research from the late sixteenth century to the present day, focusing upon artists from Rembrandt and Courbet, via Rossetti and Cézanne to Lucian Freud and Francis Bacon. More
Late & Post Modern
Peter Coker RA: New Work 2002
48 pages, paper, 242 x 168 mm, 45 colour illustrations
ISBN: 978 1 903470 15 2
Introduction by Frances Spalding
‘Of all the episodes within Peter Coker’s long career,’ writes Frances Spalding, ‘none is more surprising than the recent explosion of creativity following a difficult time of illness.’
Born in 1926, Peter Coker was elected RA in 1972; his substantial output of acknowledged work was recently commemorated in a catalogue raisonné. Since a stroke in 1990 his work has been severely impaired, but the chance discovery of some earlier drawings sparked this ‘explosion of creativity’, consisting of mixed media works, large oil paintings, lithographs and a series of etchings, The Parisian Suite. All the work is based on views from a particular spot by the Pont au Change to the Ile St-Louis in central Paris. It conveys, in Coker’s vigorous, decisive handling, sensations of energy, speed, rush, chaos and interruption in the city. Strong blues and occasional purples dominate many compositions; the brushmarks ‘eddy together like driftwood’. The oils are beautifully complemented by the elegant, varied and sprightly etchings.
Frances Spalding is well known for her biographies of Roger Fry, Duncan Grant, Vanessa Bell and the Tate Gallery, among other books and articles. This book, in which Peter Coker took personal care and pride, represents something of the strength of mind of this fine painter, whose death in 2004 is greatly regretted.
A haunting evocation of the ruined country estates of the Russian aristocracy of the 18th and 19th centuries. Revolution, civil war, invasion, anarchy and casual indifference have conspired against many of the grand buildings of Russia’s rich and complex past. While the architectural riches of Moscow and St Petersburg still exist for everyone to see, when the photographer Simon Marsden and author Duncan McLaren entered the Russian countryside, away from the obvious tourist trails, they encountered a very different world... More
OUT OF PRINT In the early nineteenth century Paris was an irresistible attraction for thousands of British tourists, among whom were many painters. There was an unprecedented interest in views of the city, and artists responded to this excitement with an extraordinary range of works, from simple pencil views to the most elaborate watercolours. It is this remarkable contribution of the British to the iconography of Paris, and the fact that it was in the early nineteenth century that the French capital became the major destination for mass middle-class tourism that it has remained ever since, that justifies the title of this publication – The Discovery of Paris. More