After more than 15 years in business Tomasso Brothers are delighted to be hosting their spectacular debut sculpture exhibtion at Adam Williams Fine Art, New York. To mark this seminal exhibition of more than 40 important works they have produced a luxurious catalogue, which aims to represent and describe the sculptures through sophisticated photographs and informative catalogue descriptions. More
The Wallace Collection Catalogue of Italian Sculpture
Hardback, 2 vols., 280 x 240 mm, 432 and 412 pages, 800 images
"Beautifully designed and produced with spectacular photographs ... meticulous scholarship." —The Art Newspaper
"It was Wallace who really shaped this part of the collection, which reflects, as he would no doubt have hoped, his first and perhaps deepest love, for the arts of the Renaissance. The new catalogue aims to show just how great his achievement was in building a collection of mainly Renaissance Italian sculptures that, although relatively small, contains so many works of outstanding quality and interest." —Author Jeremy Warren in Country Life
"If such research was ever intended for the ivory-towered few, it no longer is … We should be grateful to the Wallace’s trustees for continuing to uphold such endeavour, as they should, in the same public-spiritedness as Sir Richard Wallace and the 4th Marquess of Hertford, whose original intention it was ‘to bequeath his Collections to the Nation’." —3rd Dimension, The Public Monuments & Sculpture Association Magazine
An essential new catalogue of Italian sculpture that puts a formally little-known part of the Wallace Collection in the spotlight.
The new catalogue of Italian sculpture in the Wallace Collection by Jeremy Warren, author of the award-winning catalogue of Medieval and Renaissance Sculpture in the Ashmolean Museum, Oxford, includes 159 entries, covering works in bronze, marble, terracotta and wood dating from c. 1400 to 1900, by or associated with some of the most famous names in Italian sculpture, such as Donatello, Pietro Torrigiani, Giovanni Bologna (Giambologna) and Alessandro Algardi. Each entry is packed with information, with a comprehensive description and bibliography followed by a commentary exploring attribution, dating, function and social and historical context. An introductory essay explores the origins of the Italian sculpture collection in the Wallace Collection, whilst in her technical essay Seoyoung Kim examines some of the results of the programme of alloy analysis of the scultures in bronze and other metals. The painstaking conservation of Pietro Torrigiani’s moving head of Christ, once in Westminster Abbey, is described by Alexandra Kosinova. New photography by Cassandra Parsons allows full appreciation of the many outstandingly beautiful pieces in the collection.
The research carried out for this groundbreaking new catalogue led to numerous important discoveries, which reconnect many of the sculptures with their origins in Renaissance and Baroque Italy. New archival discoveries in Padua illuminate the life and work of the hitherto mysterious Francesco da Sant’Agata, maker of the Wallace Collection’s celebrated boxwood statuette of Hercules. An astonishingly vivid small bronze portrait head, in store for decades, is here published as a portrait of Father Antonio Trombetta, the most famous abbot in the long history of the Paduan Basilica of Saint Anthony, by the greatest early Renaissance sculptor of the small bronze, Andrea Riccio. An exquisite but mysterious small cannon turned out to be designed by a 16th-century Paduan nobleman, whose chapel and grave in the Basilica are here re-identified. There have too been many discoveries in the later history of the works. A stunning large bronze group of Nessus and Deianira by Giambologna is now known to have once belonged to Sir Joshua Reynolds, whilst a satyr’s head in red marble, restored in Rome c. 1630, once belonged to none other than Cardinal Richelieu.
The new Wallace Collection Catalogue of Italian Sculpture is an indispensable reference work, but also will be read with pleasure by specialists or anybody with a love of this wonderful and varied art form.
This publication, which accompanies an important exhibition at the Isabella Stewart Gardner Museum, looks broadly at the practice of drawing by Renaissance sculptors, including such luminaries as Donatello, Verrocchio, Michelangelo, Cellini, Bandinelli and Giambologna. The book surveys two centuries of material, considering rough sketches and more finished sheets, isolated studies and sequences of ideas. More
OUT OF STOCK The Mansion House, the palatial city residence of the Lord Mayor of London, is home to one of the capital’s finest collections of British sculpture from the 18th and 19th centuries. The first book on the sculpture ever published, this beautifully illustrated study reveals the subjects of the sculptures, the stories behind the commissions and the importance of the artists themselves. New photography highlights the qualities of the individual sculptures in their historic settings. More
The outstanding collection of European sculptures formed by Peter Marino, which focuses especially on French and Italian bronzes of the High Baroque, includes masterpieces by some of the greatest sculptors of their age, among them Ferdinando Tacca, Giovanni Battista Foggini, Robert Le Lorrain and Corneille van Clève. This volume of contributions to the symposium held in June 2010 testifying to the importance of the Marino Collection includes ten essays by distinguished scholars of sculpture. More
Following the success of their debut show in New York last year, UK dealer Tomasso Brothers is returning to stage a second Scultura exhibition at the Williams Moretti Irving Gallery, New York. Accompanying the exhibition, this beautifully illustrated catalogue presents European sculpture from the 14th to the early 19th centuries. More
This richly illustrated and beautifully produced scholarly catalogue of the superlative collection of Renaissance and Baroque bronze figurative statuettes from the Hill Collection, accompanies an exhibition of the collection at The Frick Collection, New York, opening late January 2014. More
Bronze has long been used by sculptors to create complex and beautiful forms, three-dimensional realisations of the most vivid human emotions and experiences. The outstanding collection of European bronze sculptures formed by Peter Marino, here catalogued for the first time and beautifully photographed by Maggie Nimkin, is built around an exploration of the human form, as depicted in this lustrous and sensuous material. More
Rodin and Dance: The Essence of Movement is the first serious study of Rodin’s late sculptural series known as the Dance Movements. Exploring the artist’s fascination with dance and bodies in extreme acrobatic poses, the exhibition and accompanying catalogue give an account of Rodin’s passion for new forms of dance – from south-asian dances to the music hall and the avant garde – which began appearing on the French stage around 1900. More
This is the only mongraph on the British sculptor Thomas Banks (1735–1805): it covers his entire oeuvre and is richly illustrated with new photographs of his remarkably accomplished sculpture. More
Display and Displacement: Sculpture and the Pedestal from Renaissance to Post Modern (1550-2000) OUT-OF-STOCK
The relationship between sculpture and pedestal is at the intersection of a number of art-historical disciplines, ranging from the history of design, architecture and urbanism to museum studies, yet because of its supporting role it has remained a largely neglected and unstudied field. This book will show how rich a seam it is for investigation. More
This is the third in the series of intelligent and lively exhibition catalogues by the Tomasso Brothers – a family richly endowed with great sensitivity to sculpture. They strive to deal in excellence, acquiring bronzes, marbles, terracottas, waxes and ivories which they show in critically acclaimed and enormously successful exhibitions. More
This publication will be the only available English-language monograph to date on sixteenth-century sculptor Pier Jacopo Alari Bonacolsi, also known as Antico. Given Antico’s importance for the history of sculpture this book is a much needed resource in the field and will present new scientific research and the results of technical studeis to be undertaken at the National Gallery of Art. A series of essays places Antico’s life, work and technique in a contextual framework useful for understanding his body of work. In addition to providing an overview of the artist’s acareer, the catalogue will also address key topics topics from his workmanship and craft to his relationship with the court of Mantua. More